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Examining the personal library and the making of self When writer Edith Wharton died in 1937, without any children, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. What a Library Means to a Woman examines personal libraries as technologies of self-creation in modern America, focusing on Wharton and her remarkable collection of books.Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s. She tells the story of Wharton’s library in concert with Wharton scholarship and treatises from this era concerning the wider fields of book history, material and print culture, and the histories (and pathologies) of collecting. Liming’s study blends literary and historical analysis while engaging with modern discussions about gender, inheritance, and hoarding. It offers a review of the many meanings of a library collection, while reading one specific collection in light of its owner’s literary celebrity.What a Library Means to a Woman was born from Liming’s ongoing work digitizing the Wharton library collection. It ultimately argues for a multifaceted understanding of authorship by linking Wharton’s literary persona to her library, which was, as she saw it, the site of her self-making.
This inventive, free-wheeling book takes a close reading of the contents of Edith Wharton's library as a springboard for a brilliant investigation of the nature of books, publishing, reading, and consumerism in the late 19th and early 20th centuries. For Wharton, Liming writes, "books offered a kind of solid, material ballast helped to offset the ephemeral and fleeting qualities of a life lived among a shifting assortment of spaces." By "forging connections between human subjects and print objects," Liming has practiced a mode of analysis that could quite well be sui generis. The writing is, especially by the standards of academia, unusually light-handed and clear.